Use neighboring categories to sharpen attention rather than enforce rigid borders. Compare promises about truth, resolution, fear and imagined worlds, and approach hybrid works through the particular rules they establish instead of requiring one label to explain everything.
The most dramatic moment in Jane Austen’s Emma, and, arguably, in her whole body of work, has nothing to do with romance. After all, Emma Woodhouse’s reaction to George Knightley’…
Situated directly on the waterfront of Salem Harbor in Massachusetts, there sits a two-story timber home. The wood is dark, evocative of the traditional First Period architecture of the early colon…
I discovered magical realism when I was sixteen, the same summer I began a correspondence with my Colombian father. Up to that point, I had lived entirely removed from my birthplace in Colombia. It…
Colson Whitehead is a transitional figure in literary history, one of the literati of the post-Toni Morrison era, trained at elite schools (Trinity School, Harvard), highly attuned to nuances of ra…